‘Q’
Magazine’s contents page is in-fact split over two pages. The Title of the
Contents page is on the left corner of the left page, in a black, sans serif
font, which looks simplistic and suggests that the magazine is viewed by a
contemporary audience, as this corresponds with choice of font. The title is
also partially covered by an artist, and this shows once again that the
Magazine is well established, as regular audience members will recognize that
this is the contents page. Under the Title, there sits a sub-heading entitled
‘Q Magazine February 2013′ in black and red sans serif font, which Immediately
connotes that the left hand page of the contents, is purely based on a preview
of the artists and stories that are going to appear in this months issue, which
the audience would find appealing as they are aware of what they are going to
be possibly buying and where to look for certain stories/artists. The
images of the artists on the page, are neatly arranged in a modern, stylistic
collage and are labeled with captions that give reference to page numbers to
inform the audience of where to look for particular stories/artists and give an
insight into what thew
article is going to be about. All of the artists wear appropriate clothes that
portray their genre and make them look professional at the same time. In
pictures of ‘Biffy Clyro’,
‘David Bowie’ and ‘Say Hello to Palma Violets’, the audience are given direct
address. Whereas in the other images, the artists are either posing, performing
or in the middle of doing something. Particularly in the image of Liam Gallagher, the caption reads ‘Liam Gallagher,
cosmic adventurer? Heavy!’, a sarcastic
phrase which criticizes him directly. The use of sarcastic language here
connotes that the readers of the magazine are in-fact in the older teens –
young adult age range, as they would understand this phrase and the meaning
behind it. On
the right page of the Contents, there is a clear layout, which follows
conventions by having three individual columns, two of the same size and one
wider. Included in these columns are sub-headings in sans serif font, these
being: Cover Story, Features, Regulars and Q Review. Under the sub-headings are
small blocks of text next to page numbers, in order to take the reader straight
to a specific story. A single image for
each sub-heading is also added to anchor the main story/ies
of that section. For example, under ‘features’ there is a medium long shot
picture of Rihanna’s ‘pure hell’ and a snap-shot of the new ‘Come as you are!’
rock musical, including songs by Nirvana. Under
‘regulars’, there is a close up shot of Paloma
Faith and under ‘Q Review’ is an extreme close up shot of Big Boi. Slightly over-lapping this image is a Boost,
stating that ‘Q covers the best of everything’. This is used to increase
popularity and circulation, as audience members learn that there is in-fact
other reviews beside music. At the bottom of the ‘Q review’ column, there is a
black banner including white, instructive, sans serif text saying ‘Subscribe’,
and an image of ‘Q Magazine’s’ current front cover, which is used to promote the magazine and entice readers to subscribe for a cheaper price.
This
is the contents page for the November 2012 issue of ‘Q’ magazine, which goes
over a double page. The use of having the contents over a double page means
there is more room to space things out and arrange them in a way which doesn’t
make the magazine look too clumsy and busy. On the contents page there are
seven images, plus several illustrations and a picture of this issue’s front
cover. The seven images are a mix of photo shoots and live pictures. Live
pictures are images that are taken from gigs or festivals, there are two live
pictures used on this contents page, one is of a male singer from a band
performing, while the other is of a male artist socialising
with fans at a festival. Having live pictures on the contents page appeals to
the target audience of young adults, as they can relate to the image and familiarise
with the type of locations the pictures are taken. On the other hand, photo
shoots are pictures that are taken, of artists, in a studio with professional
lighting equipment, these types of images can appeal to the target audience of
young adults, as they give the magazine a professional and modern look. Photo
shoots can also make the artist appear more attractive and therefore more
appealing to the target audience, as they would admire the artist and view them
in a more positive way. An example of this is the image of Noel Gallagher, in
the bottom left of the contents page, as males would idolise
him and women could be, arguably, more attracted to him.
Some
of the images on the contents page are used to create an enigma. For example,
the image for the feature ‘GENRE SWAP SHOP’ is of Maxïmo
Park who are a rock band. However, instead of being with the conventional props
for a rock band, such as guitars and microphones, they are placed behind two
keyboards and a laptop. This creates an enigma to the audience who are familiar
with the genre Maxïmo
Park is and makes them wonder why they are using that equipment. Furthermore,
the enigma created by this image makes the target audience read the subheading
and information, the subheading ‘GENRE SWAP SHOP’ makes it clear that there are
multiple genres featured and so appeals to a wider audience. Then the
information uses direct address ‘Hey bands, try a new style!’ this talks
directly to the target audience of this feature, ‘bands’ and makes them feel
included in the feature, like it was written only for them. The next sentence
ends on an ellipsis, which builds tension and encourages the audience to read
the feature and see what happened.
The
‘Q’ contents page allocates a subheading and page number for each story; the
subheadings are sorted out into different categories. Across the top of the
contents page are most of the stories featured on the front cover, they all
include an image, which suggests to the audience they are the important
articles in the issue. On the bottom left of the first page is a section categorised
as the ‘COVER STORY’, this is where the main cover line on the front cover is
elaborated and tells the audience which page it is featured on. As the cover
story has its own section on the contents page and is boxed off, it suggests to
the audience that it is the main focus and the most important story in the
issue. Another category the subheadings are divided into is ‘REGULARS’, which
show the audience the stories that occur throughout each issue and do not
change. The last category is ‘The Q Review’ on the far right, the information
is written in black however the artists in this paragraph are highlighted in
red, this makes it quicker for the audience the see who is included in the
review. The categories used to divide the subheadings help the audience
navigate through the magazine quicker. There is a mix of sans serif and serif
fonts on the page, however the larger subheadings use sans serif font to catch
the reader’s eye, under each subheading the smaller text is written in serif
font. On this contents page two subheadings use rhetorical questions, this
technique also appears 6 more times in the information of the stories.
Rhetorical questions, such as the sub heading ‘What if they never became
famous?’ are used to make the audience think, making the audience think about
what you are writing will then encourage them to read the article. Another
common technique, I have noticed in the text on the contents page, is the use
of personal pronouns, such as ‘Have your say!’ this makes the audience feel
they have an impact on the magazine and that the magazine also has
consideration to what the audience think. The text on the contents page also
uses a lot of exclamation marks; this makes the audience read the magazine in
an active tone, making the stories seem more exciting.
The
title of the contents page is on the top left page saying ‘CONTENTS’, in a sans
serif, black, bold capitalised
font. It is the biggest text on the page and therefore making it stand out the
most to the reader. Underneath the title it says ‘Q MAGAZINE – NOVEMBER 2012’
making it clear to the audience the magazine they are reading and reminding
them of the issue month they have bought. However, unconventionally, there are
5 small illustrations of music artists who are sitting and standing around the
contents title. It does not say who the artists are, but this would appeal to
the target audience who would be able to recognise
them. On the other hand it could appeal to the secondary target audience, as
they wouldn’t be able to tell who the illustrations are of, yet it creates an
enigma and leaves them guessing. Therefore, the arrow pointing to the
illustrations saying ‘Rock Wildlife of the British Isles – see page 28’ will
appeal to the audience as they are navigated to where they will get an
explanation. Even though, this is rare to see on a title of any kind, I like
the effect the illustrations have, as they give character to the text and
creates an authentic feel. A bigger illustration is used for one of the
features, which is a drawing of an artist in a mocking way, however this is so
the audience knows what they have drawn is unrealistic and creates humour.
The
main colours used on the contents page is red, black, white and a bit of grey,
however it is clear that the house style is red and black as these colours are
consistent throughout. At the bottom right of the contents page is a section
telling the audience to ‘SUBSCRIBE’; this is an imperative, ordering the
audience to do something and is the only large piece of information that is in
front of a black shape and so making it standout. In the information it says
‘The world’s greatest music mag brought to your door at a ludicrously low
price? Take me to page 84 now!’ this asks a question and answers as if it was
the reader themselves; already giving the answer to the audience as a way of
making them go to that page. There is an editor’s letter in the magazine,
however it is not on the contents page, it is on the page following. They allow
a whole page for the editor’s letter, with a list of the Q magazine team, with
publishing information etc. Not having the editor’s letter on the contents page
allows for more space on the page and also gives a page that is dedicated to
staff. Dead space is used around the
edge of the contents page, creating a border, which makes it look more
sophisticated and also gives space in the bottom corners of the pages for the
page numbers, Q logo and month of the issue which is repeated through-out the
magazine.
Q Contents Conventions
I have found that the Q's contents pages have followed the same conventions again in terms of theme. These features include: The use of colour (Red/Black/White) creating an recognisable identity through the colour palette; A large banner and contents title (red); Page numbers on each image (for a personal scrap-book feel, the images often being titled); Same fonts used for various sections (sub-titles/captions) - recognisable group fonts and the sizes of the photographs which they use, establish the main features and focuses within the magazine issue.
No comments:
Post a Comment